one two
28 fevereiro 2010
se eu estivesse em new york...
...ia ver o Yank: A World War II Love Story.
To say that Yank: A World War II Love Story is an unusual approach to examining the art of romance is like saying that The Invasion of Normandy was a “pretty well-coordinated effort” -- it’s an epic understatement. Deriving its name from the weekly military newspaper of the time (a publication for soldiers written by soldiers), Yank, a musical, follows Stu -- a young, Midwestern kid drafted into the U.S. Army in 1943, who finds himself not only afraid of the challenge of being a good solider, but fearful of his feelings towards his comrade, Mitch. A friendship leads to a kiss; then to a relationship basked in denial. As the story unfolds, it shows that a gay relationship is no exception to norm -- especially when it comes to the challenge of making it work.
...ia ver o Yank: A World War II Love Story.
To say that Yank: A World War II Love Story is an unusual approach to examining the art of romance is like saying that The Invasion of Normandy was a “pretty well-coordinated effort” -- it’s an epic understatement. Deriving its name from the weekly military newspaper of the time (a publication for soldiers written by soldiers), Yank, a musical, follows Stu -- a young, Midwestern kid drafted into the U.S. Army in 1943, who finds himself not only afraid of the challenge of being a good solider, but fearful of his feelings towards his comrade, Mitch. A friendship leads to a kiss; then to a relationship basked in denial. As the story unfolds, it shows that a gay relationship is no exception to norm -- especially when it comes to the challenge of making it work.
24 fevereiro 2010
till i hear you sing
Segunda-feira passada, vi em Londres o primeiro preview da sequela do The Phantom of the Opera, que tem o nome de Love Never Dies. A ela voltarei brevemente, para já fiquem com o vídeo oficial de um dos temas do espectáculo - Till I Hear You Sing, cantado pelo fantástico Ramin Karimloo - o fantasma do espectáculo. É oficial e não tem uma imagem do espectáculo. Aliás, nem havia programas nem merchandising. Está tudo no segredo dos deuses - e na cabeça dos que já viram (eu, incluído - invejosos?), até à estreia dia 9 de Março. Foi bom? Foi, tão bom. Até lá...
Segunda-feira passada, vi em Londres o primeiro preview da sequela do The Phantom of the Opera, que tem o nome de Love Never Dies. A ela voltarei brevemente, para já fiquem com o vídeo oficial de um dos temas do espectáculo - Till I Hear You Sing, cantado pelo fantástico Ramin Karimloo - o fantasma do espectáculo. É oficial e não tem uma imagem do espectáculo. Aliás, nem havia programas nem merchandising. Está tudo no segredo dos deuses - e na cabeça dos que já viram (eu, incluído - invejosos?), até à estreia dia 9 de Março. Foi bom? Foi, tão bom. Até lá...
18 fevereiro 2010
17 fevereiro 2010
homo tv
Um artigo meu na revista PARQ deste mês traça um breve historial sobre a presença de personagens homossexuais nas séries de televisão. Do mais tímido ao mais exuberante. Do subtextual, ao banal. Para ler online aqui, ou então para pegar em mão de graça, em qualquer bar e lojita da moda.
Um artigo meu na revista PARQ deste mês traça um breve historial sobre a presença de personagens homossexuais nas séries de televisão. Do mais tímido ao mais exuberante. Do subtextual, ao banal. Para ler online aqui, ou então para pegar em mão de graça, em qualquer bar e lojita da moda.
16 fevereiro 2010
14 fevereiro 2010
preciosa
Clareece 'Precious' Jones: Some folks has a lot of things around them that shines for other peoples. I think that maybe some of them was in tunnels. And in that tunnel, the only light they had, was inside of them. And then long after they escape that tunnel, they sitll be shining for everybody else.
Clareece 'Precious' Jones: Some folks has a lot of things around them that shines for other peoples. I think that maybe some of them was in tunnels. And in that tunnel, the only light they had, was inside of them. And then long after they escape that tunnel, they sitll be shining for everybody else.
um pouco desiludido, mas o filme vale a visita...
Jane and Louise Wilson were commissioned to make a work in response to The Stanley Kubrick Archives holdings. The resulting film focuses on Kubrick’s Aryan Papers project - a film about the Holocaust that Kubrick researched for many years, but which he never made.
Jane and Louise Wilson were commissioned to make a work in response to The Stanley Kubrick Archives holdings. The resulting film focuses on Kubrick’s Aryan Papers project - a film about the Holocaust that Kubrick researched for many years, but which he never made.
12 fevereiro 2010
james dean : resurrected
From concept to completion the new Allan Gray commercial was just over fourteen months in the making. A massive feat that took a combined team of well over a hundred and sixty people, not including extras. The commercial, Legend, asks us to consider the possibilities of a legend like James Dean had he been given more time. What would he have achieved? How might he have benefited society? The ad illustrates the importance of time in allowing potential to unfold. Both in life and in investing.
Este filminho é lindo!
From concept to completion the new Allan Gray commercial was just over fourteen months in the making. A massive feat that took a combined team of well over a hundred and sixty people, not including extras. The commercial, Legend, asks us to consider the possibilities of a legend like James Dean had he been given more time. What would he have achieved? How might he have benefited society? The ad illustrates the importance of time in allowing potential to unfold. Both in life and in investing.
Este filminho é lindo!
05 fevereiro 2010
04 fevereiro 2010
elas estão de volta!
Para o caso de estarem distraídos, a segunda série de Ru Paul´s Drag Race já está no ar. Esta aqui em baixo é a minha preferida. Big girls rulez! O resto é muito brega e sem o carisma de uma Bebe Zahara. Mas ainda agora se estreou a passerelle e já rolou muita peruca.
Para o caso de estarem distraídos, a segunda série de Ru Paul´s Drag Race já está no ar. Esta aqui em baixo é a minha preferida. Big girls rulez! O resto é muito brega e sem o carisma de uma Bebe Zahara. Mas ainda agora se estreou a passerelle e já rolou muita peruca.
02 fevereiro 2010
oscars - os nomeados
Best Picture
“Avatar”
“The Blind Side”
“District 9″
“An Education”
“The Hurt Locker”
“Inglourious Basterds”
“Precious: Based on the Novel ‘Push’ by Sapphire”
“A Serious Man”
“Up”
“Up in the Air”
Best Direction
“Avatar” — James Cameron
“The Hurt Locker” — Kathryn Bigelow
“Inglourious Basterds” — Quentin Tarantino
“Precious: Based on the Novel ‘Push’ by Sapphire” — Lee Daniels
“Up in the Air” — Jason Reitman
Actor in a Leading Role
Jeff Bridges in “Crazy Heart”
George Clooney in “Up in the Air”
Colin Firth in “A Single Man”
Morgan Freeman in “Invictus”
Jeremy Renner in “The Hurt Locker”
Actress in a Leading Role
Sandra Bullock in “The Blind Side”
Helen Mirren in “The Last Station”
Carey Mulligan in “An Education”
Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
Meryl Streep in “Julie & Julia”
Actor in a Supporting Role
Matt Damon in “Invictus”
Woody Harrelson in “The Messenger”
Christopher Plummer in “The Last Station”
Stanley Tucci in “The Lovely Bones”
Christoph Waltz in “Inglourious Basterds”
Actress in a Supporting Role
Penélope Cruz in “Nine”
Vera Farmiga in “Up in the Air”
Maggie Gyllenhaal in “Crazy Heart”
Anna Kendrick in “Up in the Air”
Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”
Animated Feature Film
“Coraline”
“Fantastic Mr. Fox”
“The Princess and the Frog”
“The Secret of Kells”
“Up”
Art Direction
“Avatar” — Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” — Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
“Nine” — Art Direction: John Myhre; Set Decoration: Gordon Sim
“Sherlock Holmes” — Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
“The Young Victoria” — Art Direction: Patrice Vermette; Set Decoration: Maggie Gray
Cinematography
“Avatar” — Mauro Fiore
“Harry Potter and the Half-Blood Prince” — Bruno Delbonnel
“The Hurt Locker” — Barry Ackroyd
“Inglourious Basterds” — Robert Richardson
“The White Ribbon” — Christian Berger
Costume Design
* “Bright Star” Janet Patterson
* “Coco before Chanel” Catherine Leterrier
* “The Imaginarium of Doctor Parnassus” Monique Prudhomme
* “Nine” Colleen Atwood
* “The Young Victoria” Sandy Powell
Documentary (Feature)
* “Burma VJ” Anders Østergaard and Lise Lense-Møller
* “The Cove” Nominees to be determined
* “Food, Inc.” Robert Kenner and Elise Pearlstein
* “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
* “Which Way Home” Rebecca Cammisa
Documentary (Short Subject)
* “China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
* “The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
* “The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
* “Music by Prudence” Roger Ross Williams and Elinor Burkett
* “Rabbit à la Berlin” Bartek Konopka and Anna Wydra
Film Editing
* “Avatar” Stephen Rivkin, John Refoua and James Cameron
* “District 9” Julian Clarke
* “The Hurt Locker” Bob Murawski and Chris Innis
* “Inglourious Basterds” Sally Menke
* “Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz
Foreign Language Film
* “Ajami” Israel
* “El Secreto de Sus Ojos” Argentina
* “The Milk of Sorrow” Peru
* “Un Prophète” France
* “The White Ribbon” Germany
Makeup
* “Il Divo” Aldo Signoretti and Vittorio Sodano
* “Star Trek” Barney Burman, Mindy Hall and Joel Harlow
* “The Young Victoria” Jon Henry Gordon and Jenny Shircore
Music (Original Score)
* “Avatar” James Horner
* “Fantastic Mr. Fox” Alexandre Desplat
* “The Hurt Locker” Marco Beltrami and Buck Sanders
* “Sherlock Holmes” Hans Zimmer
* “Up” Michael Giacchino
Music (Original Song)
* “Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
* “Take It All” from “Nine” Music and Lyric by Maury Yeston
* “The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett
Short Film (Animated)
* “French Roast” Fabrice O. Joubert
* “Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
* “The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
* “Logorama” Nicolas Schmerkin
* “A Matter of Loaf and Death” Nick Park
Short Film (Live Action)
* “The Door” Juanita Wilson and James Flynn
* “Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
* “Kavi” Gregg Helvey
* “Miracle Fish” Luke Doolan and Drew Bailey
* “The New Tenants” Joachim Back and Tivi Magnusson
Sound Editing
* “Avatar” Christopher Boyes and Gwendolyn Yates Whittle
* “The Hurt Locker” Paul N.J. Ottosson
* “Inglourious Basterds” Wylie Stateman
* “Star Trek” Mark Stoeckinger and Alan Rankin
* “Up” Michael Silvers and Tom Myers
Sound Mixing
* “Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
* “The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
* “Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
* “Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
* “Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson
Visual Effects
* “Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
* “District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
* “Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Writing (Adapted Screenplay)
* “District 9” Written by Neill Blomkamp and Terri Tatchell
* “An Education” Screenplay by Nick Hornby
* “In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
* “Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
* “Up in the Air” Screenplay by Jason Reitman and Sheldon Turner
Writing (Original Screenplay)
* “The Hurt Locker” Written by Mark Boal
* “Inglourious Basterds” Written by Quentin Tarantino
* “The Messenger” Written by Alessandro Camon & Oren Moverman
* “A Serious Man” Written by Joel Coen & Ethan Coen
* “Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy
COMO NÃO HÁ JULIANNE MORE? COMO?
Best Picture
“Avatar”
“The Blind Side”
“District 9″
“An Education”
“The Hurt Locker”
“Inglourious Basterds”
“Precious: Based on the Novel ‘Push’ by Sapphire”
“A Serious Man”
“Up”
“Up in the Air”
Best Direction
“Avatar” — James Cameron
“The Hurt Locker” — Kathryn Bigelow
“Inglourious Basterds” — Quentin Tarantino
“Precious: Based on the Novel ‘Push’ by Sapphire” — Lee Daniels
“Up in the Air” — Jason Reitman
Actor in a Leading Role
Jeff Bridges in “Crazy Heart”
George Clooney in “Up in the Air”
Colin Firth in “A Single Man”
Morgan Freeman in “Invictus”
Jeremy Renner in “The Hurt Locker”
Actress in a Leading Role
Sandra Bullock in “The Blind Side”
Helen Mirren in “The Last Station”
Carey Mulligan in “An Education”
Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
Meryl Streep in “Julie & Julia”
Actor in a Supporting Role
Matt Damon in “Invictus”
Woody Harrelson in “The Messenger”
Christopher Plummer in “The Last Station”
Stanley Tucci in “The Lovely Bones”
Christoph Waltz in “Inglourious Basterds”
Actress in a Supporting Role
Penélope Cruz in “Nine”
Vera Farmiga in “Up in the Air”
Maggie Gyllenhaal in “Crazy Heart”
Anna Kendrick in “Up in the Air”
Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”
Animated Feature Film
“Coraline”
“Fantastic Mr. Fox”
“The Princess and the Frog”
“The Secret of Kells”
“Up”
Art Direction
“Avatar” — Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” — Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
“Nine” — Art Direction: John Myhre; Set Decoration: Gordon Sim
“Sherlock Holmes” — Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
“The Young Victoria” — Art Direction: Patrice Vermette; Set Decoration: Maggie Gray
Cinematography
“Avatar” — Mauro Fiore
“Harry Potter and the Half-Blood Prince” — Bruno Delbonnel
“The Hurt Locker” — Barry Ackroyd
“Inglourious Basterds” — Robert Richardson
“The White Ribbon” — Christian Berger
Costume Design
* “Bright Star” Janet Patterson
* “Coco before Chanel” Catherine Leterrier
* “The Imaginarium of Doctor Parnassus” Monique Prudhomme
* “Nine” Colleen Atwood
* “The Young Victoria” Sandy Powell
Documentary (Feature)
* “Burma VJ” Anders Østergaard and Lise Lense-Møller
* “The Cove” Nominees to be determined
* “Food, Inc.” Robert Kenner and Elise Pearlstein
* “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
* “Which Way Home” Rebecca Cammisa
Documentary (Short Subject)
* “China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
* “The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
* “The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
* “Music by Prudence” Roger Ross Williams and Elinor Burkett
* “Rabbit à la Berlin” Bartek Konopka and Anna Wydra
Film Editing
* “Avatar” Stephen Rivkin, John Refoua and James Cameron
* “District 9” Julian Clarke
* “The Hurt Locker” Bob Murawski and Chris Innis
* “Inglourious Basterds” Sally Menke
* “Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz
Foreign Language Film
* “Ajami” Israel
* “El Secreto de Sus Ojos” Argentina
* “The Milk of Sorrow” Peru
* “Un Prophète” France
* “The White Ribbon” Germany
Makeup
* “Il Divo” Aldo Signoretti and Vittorio Sodano
* “Star Trek” Barney Burman, Mindy Hall and Joel Harlow
* “The Young Victoria” Jon Henry Gordon and Jenny Shircore
Music (Original Score)
* “Avatar” James Horner
* “Fantastic Mr. Fox” Alexandre Desplat
* “The Hurt Locker” Marco Beltrami and Buck Sanders
* “Sherlock Holmes” Hans Zimmer
* “Up” Michael Giacchino
Music (Original Song)
* “Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
* “Take It All” from “Nine” Music and Lyric by Maury Yeston
* “The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett
Short Film (Animated)
* “French Roast” Fabrice O. Joubert
* “Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
* “The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
* “Logorama” Nicolas Schmerkin
* “A Matter of Loaf and Death” Nick Park
Short Film (Live Action)
* “The Door” Juanita Wilson and James Flynn
* “Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
* “Kavi” Gregg Helvey
* “Miracle Fish” Luke Doolan and Drew Bailey
* “The New Tenants” Joachim Back and Tivi Magnusson
Sound Editing
* “Avatar” Christopher Boyes and Gwendolyn Yates Whittle
* “The Hurt Locker” Paul N.J. Ottosson
* “Inglourious Basterds” Wylie Stateman
* “Star Trek” Mark Stoeckinger and Alan Rankin
* “Up” Michael Silvers and Tom Myers
Sound Mixing
* “Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
* “The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
* “Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
* “Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
* “Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson
Visual Effects
* “Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
* “District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
* “Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Writing (Adapted Screenplay)
* “District 9” Written by Neill Blomkamp and Terri Tatchell
* “An Education” Screenplay by Nick Hornby
* “In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
* “Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
* “Up in the Air” Screenplay by Jason Reitman and Sheldon Turner
Writing (Original Screenplay)
* “The Hurt Locker” Written by Mark Boal
* “Inglourious Basterds” Written by Quentin Tarantino
* “The Messenger” Written by Alessandro Camon & Oren Moverman
* “A Serious Man” Written by Joel Coen & Ethan Coen
* “Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy
COMO NÃO HÁ JULIANNE MORE? COMO?
01 fevereiro 2010
só mais esta nomeação, vá lá
“We’re a telephone family, strung out along the wires, sharing our news in loops and daisy chains. We don’t meet face-to-face much, and when we do there’s a dematerialized feeling, as though only half of our molecules are present. Sad? Not really. We’re a busy bunch. And I’m not lonely. If I had to pick between knowing just a little about a lot of folks and knowing everything about a few, I’d opt for the long, wide-angle shot, I think.”
“We’re a telephone family, strung out along the wires, sharing our news in loops and daisy chains. We don’t meet face-to-face much, and when we do there’s a dematerialized feeling, as though only half of our molecules are present. Sad? Not really. We’re a busy bunch. And I’m not lonely. If I had to pick between knowing just a little about a lot of folks and knowing everything about a few, I’d opt for the long, wide-angle shot, I think.”
love never dies - new song!
Ou melhor, a canção principal segundo o próprio Webber. Foi ante-estreada numa amostra de banco patrocinador. Dá para ter uma ideia. Love Never Dies cantado pela nova Christine - a Ariel da Pequena Sereia da Broadway. Já disse que vou ver a sequela do The Phantom of the Opera daqui a uns dias? Ah, pois é.
Ou melhor, a canção principal segundo o próprio Webber. Foi ante-estreada numa amostra de banco patrocinador. Dá para ter uma ideia. Love Never Dies cantado pela nova Christine - a Ariel da Pequena Sereia da Broadway. Já disse que vou ver a sequela do The Phantom of the Opera daqui a uns dias? Ah, pois é.
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